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Search resuls for: "Elisa Gabbert"


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Think of those intricate rooms behind glass at the Art Institute of Chicago, a chandelier dangling from crown molding at 1:12 scale. Each poem feels like a scene from a life re-enacted on a dollhouse movie set, a scaled-down world. “In my numb mind, a little leather jacket,/the sleeve no bigger than a thumb drive,” she writes, in “A Miniature.” “In that diminished instance,/I light a cigarette. They’re small because they’re stored in cells, in our nutshells, our mental microfiche. The work of miniaturizing a life is painstaking, and Bang’s poems have a characteristic clockwork precision — they tick and spin like mechanical music boxes.
Persons: , Rosencrantz, hutch, Mary Jo Bang, Organizations: Art Institute of Chicago Locations: Denmark
I have a friend who says her favorite way to read poetry is in quotation, as isolated lines in paragraphs of prose, such as in this column. You can’t have a personal, favorite part, the way I have a favorite part of “Prufrock” (which changes over time). Some of what’s in “Little Poems” does have a one-and-done feel. Short poems can be facile because they are short — they’re not wasting much of your time, so get over it. It’s unsatisfying in the way of all short unsatisfying poems; the end of any poem is a reward, but bad short poems satisfy too soon.
Persons: Michael Hennessy, Julian the, John Keats, ” Ben Lerner, “ Prufrock, Shel Silverstein, Lawrence, Lawrence — Locations: Sappho, , D.H
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